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Gaffers, Paul Nelson – Triggerfish Critical Review

Gaffers, Paul Nelson

Maida Cummings, Your Call Is Very Important to Us, Photograph

 

GAFFERS

 

Gaffers thrived downwind

watching rakers and burners

hustle the mass to flame and smoke,

a sort of veil, and the road from town

to dump was aromatic as a censer.    

 

Smouldering irreparable shoes,

the funnies with iconic cartoons,

Life, Colliers, Look, the Sears Catalog

stolid cartons: dead cats, dogs,

deer bones, mice, rats in traps,

worn, torn shirts without buttons, fish

guts, leaky rubber boots, silent canaries,

leather trimmings from the shoe factory

down river, our butcher’s renderings

and offal, kotex, rafts of maggots,

murders of crows aloft, no polite

dioxins, furans, polycyclic hydrocarbons,

no lung high heavy metals

suffusing the debut of plastic.

 

The edge of the half-filled crater

was a lookout over bulldozed redolence

harmlessly seeping, sour and weak,

while geezers watched the gathered evidence

get slathered by wide blades, the mass

sliding from ordinary dump trucks,

later from hoppers that flap like tongues

ass end of White Company’s aerodynamic

bodies, scootched, defecating downslope

to Help Keep Your City Clean.

 

Gaffers materialized, rubbing their hands,

thumbing gums, refugees of Eden, or

Gomorrah, to see what’s left of Paradise,

what offerings had been laid down for them

to appraise, items at the edge of salvation.

Their noses sniffed, honked, twitched for

Copenhagen, heads full of enterprise, mouths

fouled: rot-gut whisky, Gallo by the gallon,

canned Prince Albert, strong coffee and tooth rot.

Didn’t they grieve at night, appear in the a.m.

with angelically white, red beaked gulls?

 

Some of the rest of us came some evenings

for a bear to show up, dig in, eyes sparking,

faithful to garbage in our headlights

where these geezers (we called them) shifted

from foot to foot, to prod with staffs, say

the say, hum like Druids, meanwhile watch

the new age, gravid, funereal bags

tumble from the laboring trucks,

bags that leave them empty, forlorn,

recalling their lives as modest failure

remembering the floor lamps to be rewired,

busted chairs re-glued, an endless assortment

of collectible bottles: green glass Coke, blue,

bubbled Moxie Nerve Food, Dr. Daniel’s Blackberry

Balsam with 1 grain of opium …a tsp.to quiet

a colicky child, or put a school-marm to sleep

and dream, or the whole bottle down the throat

of a horse suffering green grass bloat, to make it

throw up, shit a pile and stay on its feet.

A box of clean, folded linen, a handmade

quilt, once, old with value, a barely worn

pair of jack-boots, set aside for such pickers …a

stadium coat (Sam’s?), a box of black carbon steel

kitchen knives, badly in need of addressal. Stuff

to save from cremation or burial.

 

The whole toxic dump has been buried,

never to be exhumed after a generation

of research, local corruption and shame

over 13 acres 32 feet deep, spread with layers

of sand and gravel, innocent topsoil and grass.

It looks like a golf course with steep hills.

Odorless methane seeps up from primal

decomposition, warm organic layers

breathing through a hundred yellow, PVC,

candy cane pipes, where the intimate past

was no altered reality, or assisted living,

still cooking in odd venerable minds that do

know grief, and dream of something to poke,

bend for, wipe off, get a good look at, better

than the next guy’s loot, free and maybe

beautiful, an old plate trophy, Class B High

School State Champion in the 440, 1927.

They knew him, dead for years, the best welder

in Maine, maybe the world, half Passamaquoddy

who welded something from blueprint

at Boston Naval Shipyard, a mysterious piece

of the bomb dropped on Hiroshima. He learned

about it from a speech, delivered by a grateful

Senator to the second shift, just after the war.

He moved out of his shop to a house a mile

from where our old pickers still hung out in hope

while the new black and white hills piled up,

nothing telling, no history, no decent chance

for patient study, where the academic realm

of the gaffer was busy when we were young,

stuff chosen carefully, stored in one bulb sheds,

on oiled benches with worn tools, a cranky vise

that works for ordinary reasons, the rest of civilization

sinking, shallow, above time, but below consideration,

bulldozed over with gravel and dirt that lets methane

rise through mowed grass, while the gaffers stand about,

mull and maunder the Town’s gate and Master Lock,

knowing grief’s not gas, nor plastic closure.

____________
Paul Nelson

 

Review by Dave Mehler

Starting out with a catalog of characters doing their jobs, like the crew of the Pequod rendering whale blubber, and then a list of stuff, the offal of the world, with such a sure command of language we are introduced to the dump and continue to wind on down through the lines, without any misstep in awfulness. It’s almost a religious experience in the name of cleanliness, on the hunt to find some holiness in a landfill. Somebodies gotta do it. Who better than gaffers accompanied by angelic gulls, who keep a watch, on the lookout for something useful to redeem, something headed for the fire or premature burial–gaffers or geezers showing up simply to shoot the shit, enjoy some local entertainment? The lists are marvelous, Paul. You are providing me with an homage to Bad Is Bent Good, and I am magnificently outshone. Thanks for this!! [G]rief’s not gas nor plastic closure. Amen.

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