Judith Nelson, Split Infinity, 1993, 30X36 Dmitri’s secret dissent in the parrot axis (impetrarc sonnet) (to his loving wraith, Suliko …)   whether (it) were (Shostakovich) in the mind of the Leningrad metronome—the dead resistant pulse of a city … life-lined, thin, hollow—(was) the subsistent onward /z/ed of a living corpse propagandized into legend (“… […]